The objects that occupy your daily life should reward attention and invite pause.

The Inheritant is a men's magazine conceived as a hôtel particulier: a private house on a public street, where artists and patrons gather. Its doors are open, yet it reveals itself only to those who know how to enter. Nothing here is arranged for an audience that isn't paying attention.

It rests on a single conviction: that the things a man surrounds himself with are arguments about what he values, what he understands, and what he refuses. Every object here answers one question. Does it reward the attention of someone who knows how to look? Sometimes the answer is a maker who spent years perfecting a mechanism few people will ever notice. Sometimes it is a reference so specific that only someone who already carries the knowledge recognizes what they are holding. Most people see an object. The right person sees a confidence, kept quietly between the piece and its owner. What connects every selection is the evidence that someone cared what the object would become with age.

The Product Museum holds objects from centuries past. They are still here because of how they were made, and they are the precedent for the standard kept on these pages.

The OP-ED holds essays on the ideas behind considered living: excellence, obligation, economics, and the kind of worldview that produces a man worth becoming. What these pages ask of their reader is simple to state and difficult to practice: very little distance between what one says one values and how one actually lives.

This is my record, kept in the hope that my future children, and my nephew Artie, will one day pick it up and find a way of thinking worth carrying further than I took it.

Eric

Founder and Editor

Correspondence: office@theinheritant.com